Curly, the official winery greeter |
Hillside vineyards |
Charlie, meanwhile, had opened up the doors and called us back in. Curly trotted along after us. We talked for a few minutes, getting to know one another, before Stu came in for some reason or another. He talked briefly with Charlie, who introduced us all around. The Smith brothers were particularly keen to learn that my wife was from western Canada, as part of their clan was located out there. They all talked briefly about how beautiful Banff was. "Watch out for the elk during mating season," my wife said. "They have been known to go after cars." Stuart Smith was unimpressed. "Not if I have my gun," he remarked. If the boar's head on the wall was any indication, we had stumbled across an avid hunter.
the tough mountain vines |
Stu left to go back to work, and Charlie began pouring other wines. Smith-Madrone is famous for their Riesling, which may well be the best in North America. That, of course, is a loaded claim for which there will be no definitive proof, but even the great Steve Heimoff, whose affection for Sonoma County vineyards is no secret, pays homage to the Smith brothers' grapes. I loved the Riesling. It is a wonderful wine, pairable with spicy food, and good on a hot day when a sip or two brings memories of drinking from a mountain spring, with that hint of limestone especially in the back of the mouth.
As if we needed any reminder that this was a working winery, or that it was the owner who was talking to us, Charlie kept having to take phone calls during our visit. They were always quite short, and it allowed me a chance to take photographs or pet Curly, who had taken up residence under the casks. We tasted the Cabernet and the new Cabernet reserve--Cook's Flat, which is only the fourth varietal that Smith-Madrone produces. It is also four times the price of their Cabernet. This is a wine made for collectors, not for drinkers. It was noticeably different from the Smith-Madrone cab, both by its elegance and range of flavors. It carries the promise of ageability, if that is even a term. I am obviously out of my depth here.
A barrel in the storage room |
"I don't like to describe a wine before you taste it," explained Charlie, apropos of nothing in particular. But it was thrilling to taste a wine that didn't have a paragraph of praise written by the winemaker instructing the taster to find "kiwi, strawberry, and hints of passion fruit" followed by a palate of granite and a "touch" of asphalt. It reminded me of how poor my palate really is, but it also allowed me to explore and expand it. What struck me immediately and has stuck with me ever since my first taste of their wines was just how elegant and, well, European, they tasted. Charlie and Stu prefer balanced wines, not the heavy fruit bombs lobbed into the market by the unthinking producers searching for strong Robert Parker reviews. I got the distinct sense that the Smith brothers make the wine that they want to make. Reviewers be damned.
Curly in the vines. Chewing on a rock. |
All of which sounded quite good. We walked up the hill to the winery's picnic spot. Curly dutifully trotted after us. As I trained my camera lens on vines and olive trees and circling red-tail hawks, I couldn't help but feel like I'd seen something special. As Stu said to us, "once you've seen the top of Spring Mountain, nothing else compares." It was definitely a hidden part of Napa. Perhaps not too hidden, but away from the investment bankers and oilmen who prowled the tasting rooms looking for $1000 Cabernets to show off and the half-in-the-bag bridal parties coasting the wineries in slender sundresses before the big send off. It was quiet up here. And the wine was ... beautiful.
The view from Spring Mountain |
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